"I am beginning to learn that it is the sweet, simple things of life which are the real ones after all."

~Laura Ingalls Wilder

April 14, 2009

Time to Sing


Spring! I know it officially began on March 20, but let’s be realistic—as author Henry Van Dyke once pointed out, “The first day of spring is one thing, and the first spring day is another.” At least it is in Michigan, where a good month might separate the two events.

For me, celebrating Easter is the thing that tells me spring is here. The actual weather on that day doesn’t matter so much. Even when accompanied by that most unwelcome of guests—snow!—Easter still manages to speak to me of soft pastel colors and fresh green smells. In my mind’s eye I always see it the way it looks in children's picture books—all painted eggs and downy chicks, crinkly cellophane and shiny foil, yellow forsythia branches and potted red tulips.

When I was little, my bothers and sisters and I would hunt for candy in our living room, then get dressed in our Easter finery for church. I don’t know how my parents did it—not just the corralling and scrubbing of five kids who had eaten chocolate bunnies for breakfast, but providing those spectacular, once-a-year outfits that were such a departure from our drab school uniforms and hand-me-down play clothes.

Here's a picture of us taken a few years before my youngest sister was born (that's me on the left). We girls always had ruffled, pastel-colored dresses, lacy ankle socks, shiny patent leather shoes, all topped off with flowered hats. And check out my sister's white gloves! Our brothers wore dress pants and jackets, white button-down shirts with ties, miniature lace-up dress shoes. I wouldn’t be surprised if they had starched handkerchiefs tucked into their pockets. Do kids dress like that anymore? Ever? Anyway, even though I was never a frilly, dressy-up kind of girl, I never minded making an exception for those lovely, floaty Easter outfits.

All grown up and blessed with three sons,
I could never duplicate the glory of my own childhood finery (sorry, Mom!), but I did my best to find suitable dress-up clothes they could wear to church. It was often quite a challenge, considering the day might bring sun, rain, snow, or possibly a combination of all three. Looking through our family pictures, you’d see each of these outfits exactly three times, as they passed down—barely used—from brother to brother.

But no matter how much time passes, my feelings about Easter don't change. There's still something about it that speaks to my soul—the return of light and warmth to my everyday world, the purple hyacinths and yellow daffodils poking up through the muddy patches, the colored eggs and baby lambs that make me think of birth and rebirth. There’s something about squishing into a pew next to all the other gussied-up people who woke up that morning in a world filled with hope and light, singing the glorious old hymns that celebrate “our triumphant holy day.”

A song my boys learned in grade school had these simple but profound lyrics: “In the spring, everything starts to sing!” You can be sure that “everything” includes me.

April 3, 2009

Inspiration


Since I posted the news last week about selling my book manuscript, people have been asking me for details about the story. What is the book about…and what exactly does that title mean, anyway?

Anna Mei, Cartoon Girl is about a girl named—you guessed it—Anna Mei. Adopted from China as a baby, she has lived in Rochester, New York, for ten years. She’s had a comfortable life with loving parents, and has never wondered about her heritage or how the life she has taken for granted came to be.

But just as Anna Mei is about to enter 5th grade, something unthinkable happens—her parents decide to move to Michigan. That means being a new kid at school. And with the spotlight shining brightly on her, Anna Mei worries that she sticks out like a sore thumb—she's new, she’s Chinese, she’s adopted, and as one of her classmates points out, she doesn’t even "match" her own family.

“Cartoon Girl” is a play on words, since “Anna Mei” sounds like “anime,” a style of Japanese animation. When someone calls her that, she takes it as an insult and vows to distance herself from everything that makes her unique. This doesn’t make her happy but does help her feel like she's fitting in. Then a school assignment forces her to face the questions she’s been avoiding: is she “Anna,” an American girl named after her Swedish grandmother, or is she “Mei Li,” the daughter of an unknown Chinese woman who gave her up long ago? Figuring out the answers ultimately helps Anna Mei come to a better understanding of who she is and what really matters to her.

My inspiration for Anna Mei came from a picture of my brother's family. He and his wife live in upstate New York and had recently adopted their second child from China. I looked at the two tall, blond, athletic parents, cradling their tiny, dark-haired daughters in their arms. It was a beautiful family portrait, but I started to wonder—what would it be like to be a child in a family that didn’t “match”?

From that germ of an idea, a 25,000-word story grew. I'm thrilled to have the opportunity to share it with all of you, along with some 10-year-olds who may already be wondering about how they're going to fit in.